REAL DEAL JAMAICAN SLANG:THE FINAL FRONTIER, THE SETTLEMENT OF ALL ARGUMENTS

Its being described as the The Settlement of All Arguments and its going to be a real sound clash between two of the hottest DeeJays in the history of Dancehall music. The main event is STING 2008 – the 25th Anniversary!!! This will be the stage where Vybz Kartel and Mavado go toe to toe to settle a long running beef. To bring everyone up to speed, the beef/feud began in 2006 when Vybz left The Alliance, a federation of sorts of dancehall artists which includes legends like Bounty Killer and of course, Mavado. Although they had worked together in the past, diss tracks started coming out on various riddims. Violence followed, but nobody was hurt. The feud died down in 2007 after a press conference, but then it came back to life in August of this year (2008). The diss tracks started again and now we will have the priviledge of seeing these two stars go at it through music at Sting 2008.

I had a chance to check out some of the interviews with Vybz and Mavado and the level of Jamaican Slang is everything you dreamed of. The patois flows so naturally as both artists are at ease trying to make a case as to why they are going to win. It might be bold to say this is like Mike Tyson vs. Lennox Lewis in the boxing world, but it is certainly up there with one of the hottest beefs in dancehall. I think these video clips are gems for anyone looking to learn Jamaican Patois/ Jamaican Slang. Check them out…and to learn more Jamaican Slang…check out SpeakJamaican.com

STING 2008 – MAVADO

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STING 2008 – VYBZ KARTEL

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Dancehall Fever… Understanding Reggae Lyrics

I came across this great article about Reggae Lyrics and it is directly related to a recent article about dancehall culture. In addition to a great amount of detail about Reggae’s worldwide presence, the article also goes into detail about Jamaican Patois and Speaking Jamaican. This is great stuff.

There are millions of Reggae music fans across the world. Reggae music is often sung in the local Jamaican dialect called Patois. However, not all fans of Reggae can speak or understand Jamaican Patois. Avid fans of Reggae music, who are not Jamaican patois speakers, can attest to the fact that at times there are words in the music that he or she cannot understand. This article will list some Jamaican Patois words frequently found in Reggae music. The meanings of those Patois words will also be given.

Here are some Reggae related Patois words often found in the music

jum pan – noisy awful music

bruk wile – to dance excitedly

buss di dace – do the dance (usually refers to the newest and latest dance)

dibby – inferior

soun bwoy – an insulting word used to refer to a disc jockey

selectah – disc jockey

wheel (up) – rewind the music

boom soun – the best sound, the best sounding disc jockey

clash – disc jockeys competing with each other to play the latest and best songs

bashment – a party, a concert

Patois is a dialect full of imaginative and varied words. A word that means one thing in one context can have a totally different meaning when used in another context.

There are millions of Reggae music fans across the world. Some Reggae artists prefer to deliver their lyrics in Patois. However, quite a number of Reggae artists sing in Standard English but even they at times use Patois words, in their songs, from time to time. By listening to Reggae music often, many people have built up a familiarity with Jamaican Patois, often without knowing what the word(s) mean initially.

This article really touches on the fact that Jamaican Culture and Jamaican Patois are worldwide. Additionally, it’s exciting that more and more people are interested in the language and culture. To check out more about Jamaican Patois and Culture AND reggae, visit: www.jamaican-slang.com and get a copy of the Rastaman Vibration.

Inna Di Dancehall, Yuh haffi speak Patwah an noh di term dem – WHAT?!!

Yea, so I decided to speak a” likkle” Jamaican Patois, but that is because I am so inspired by the fact that I came across this great article outlining some of the key terms you will hear “inna di dancehall” (in the dancehall). The dancehall has a culture of its own and is really the place where many of today’s top reggae artists get their initial buzz started. Artists like Spragga Benz, Bounty Killa, Sean Paul, Vybz Kartel, Barrington Levy, Beenie Man (the self-proclaimed King of the Dancehall) and many more are all artists/deejays who have done their thing in dancehalls in Jamaica and abroad. Anyway, I digress…there are some unique words and phrases that one will certainly hear at a dancehall and since the dancehall originated in Jamaica, it is certainly an element of speaking Jamaican Patois. Here is a taste of the language of the dancehall:

DONE DI PLACE “TEAR IT UP”–IF A GIRL’S DANCING REALLY WELL.

UP TO DI TIME UP ON WHAT’S GOING ON, KNOWS EVERYTHING.

SOUN BWOY  A DIS TO THE DJ.

BUST DI PLACE SAID TO THE DJ, TELLING HIM TO GET EVERYONE MOVING.

CRAZY HYPED A REALLY GOOD VIBE.

PASSA PASSA GOSSIP, MIX UP, LATEST DRAMA.

JIGGY DRESSED TO IMPRESS.

DANCEHALL VIBES USED TO DESCRIBE A SUCCESSFUL PARTY.

BOOM FLOP THE PARTY’S A BUST.

SELECTA  is the disc jockey.

DJ/DeeJay  is the artist or singer

I definitely want to provide more information on the dancehall culture and how it can help someone speak Jamaican Patois and get a better insight into Jamaican Culture. To learn more about Jamaican Culture, Reggae and Patois, visit :www.jamaican-slang.com and pick up a copy of the Rastaman Vibration.

Soon Come

What is a Classic Reggae Album?

The question is rhetorical for me and could be for anyone that speaks Jamaican. Have you ever heard an album and it just touches you in a way that you cannot describe? Well, I have and it is a true classic as far as reggae is concerned and really music. No need to hold back, the album is called Da Real Things and the artist/deejay is Sizzla Kolanji! Before, I breakdown why this album is a true classic in all ways, shapes and forms, it’s important to know who is Sizzla Kolanji.

Sizzla, born Miguel Orlando Collins, is the most prolific deejay (Deejays are the artists or singers in reggae while selectas are the disc jockeys) of recent years. It is rare that you will hear a riddim that is not blessed with his presence. Sizzla, a Bobo Dread, started to get recognition in the late 90s for his unique style and conscious lyrics. Always a versatile deejay, Sizzla can be heard on roots tracks as well as dancehall (ragga) tracks. Presently, Sizzla has more than 45 solo albums and it would be a lie to say that all are classic, but several are classics such as Black Woman and Child, Praise Ye Jah and Royal Son of Ethiopia. Some of the albums have very similar sounds and one would have to question the detail each album is given before being pressed. For many of the albums, debate and discussion is warranted, but for Da Real Things…there is NO DEBATE!

Da Real Things is the best of the best from sizzla, reggae and all genres of music. It is one of those albums that you can put on play and not need to skip through any song. The album has an overall roots theme and it really gets to the core of who Sizzla is…a talented deejay that is a rastafarian and loves women especially his Mama. Speaking of Mama, Thank You Mama is arguably the best song on the album, if not the best. The lyrics paint real imagery and touch the heart of any mother. Have doubts? Play this song for your mother and watch the tears come down the side of her face. But, the hits do not stop there. Solid as Rock is just one of those songs that can be applied to any adversity you face in life. I was living in the Caribbean when I first heard this song. The bus that I was on was packed and there were several rastas on the bus. Everyone was smiling with a face of amazement. The riddim of this song seems like it was made especially for Sizzla even though other artists recorded tracks to it, none were as good as Sizzla. Another song that stands out is Woman I Need You. This song is the essence of Sizzla. He changes his voice multiple times in the song to compliment the melody and really pours his heart into the song. This a positive, upbeat tribute to women done in a masterful manner.

I tried to write about a few of the songs without spoiling the album. This album holds special meaning in my life because I remember where I was and what I was doing when I first heard it and then subsequently heard it 100 times after that…yea, I might be a fan. I had always been a fan of Sizzla Kolanji, but this put him up there with the elite in reggae music. Get this album, listen to it, learn to speak Jamaican and get into the vibes of this classic album. This is the definition of classic.

Praises to the Most High and Thank you Sizzla for your masterful sound/music,

Ras Zuke

Ragga (Dancehall Reggae) versus Roots

I know that alot of people think that all reggae sounds the same, but nothing could be further from the truth. Yes, there are definitely some similarities among all of the types of reggae, but there are really two dominant forms of reggae that come out of Jamaica, Ragga aka Dancehall Reggae and Roots Reggae. So what are the differences?

To begin with, Ragga which I will refer to as Dancehall is largely played with digital instruments. Most of the beats which are called Riddims are made digitally. Dancehall has been the most commercially successful Jamaican music over the years. Many Dancehall artists have experienced cross over success with mainstream music. Artists like Sean Paul, Beenie Man, Shabba Ranks, Super Cat, Vybz Kartel, Bounty Killa, Elephant Man and many more are all examples of dancehall artists with some experiencing worldwide success. In addition, to artists known strictly for dancehall, some Roots artists also record dancehall tracks. Sizzla, Buju Banton and Capelton are roots artists who also appear on dancehall tracks. Dancehall is unique in that it draws on all aspects of Jamaican culture and is often the sound where authentic Jamaican Patois can be heard (to hear some authentic Patois on Dancehall Tracks, check out the JA Mixes). The subject matter in the songs ranges from politics in Jamaica, sex, women, violence, Jamaica or a new dance. Dancehall gets its name from the event or place where people go to hear ragga tracks and as the word implies, people dance! Many of the most popular dancehall tracks have dedicated dances with choreography. Recently, one of the most popular was dances was Pon di River, also a song by Elephant Man. In addition, to Pon di River, there is also a dance for Signal de Plane (click here to see the steps for Signal de Plane!) Dancehall tracks come out at a frenzying pace and some are classics while others leave much to be desired.

Roots reggae is the largely rasta influenced form of reggae. Many roots tracks are recorded with live instruments, although many are also digital. As mentioned before, some of the most well known roots artists who venture into the dancehall world are Sizzla, Buju Banton and Capelton. Other popular artists who focus almost exclusively on roots include Morgan Heritage, Ritchie Spice, Jah Mason, Anthony B, Luciano and many more. One thing to know is that many of these artists are also rastas. Sizzla, Capelton and Anthony are all Bobo Ashanti, a very unique and obscure sect of the Rastafarian faith. Most roots songs address issues such as Rastafari, Ganja, Jah, H.I.M (His Imperial Majesty), Africa, Jamaica and other realities that face the Jamaican people. As far as learning to speak Jamaican, Roots is important for understanding the roots, reality and culture, but is much more likely to have English lyrics. From a cultural perspective, Roots songs often have Nayabinghi sounds and other instruments of the Rastafari faith.

So is one genre better than the other? Absolutely not. I go in and out of phases. Sometimes, I want to listen to roots to relax and other times I want to listen to dancehall to get energized like Elephant Man. Dancehall is great to learn to speak Jamaican and Roots really gives you insight into the culture of Jamaica and Rastafari!