Ragga (Dancehall Reggae) versus Roots

I know that alot of people think that all reggae sounds the same, but nothing could be further from the truth. Yes, there are definitely some similarities among all of the types of reggae, but there are really two dominant forms of reggae that come out of Jamaica, Ragga aka Dancehall Reggae and Roots Reggae. So what are the differences?

To begin with, Ragga which I will refer to as Dancehall is largely played with digital instruments. Most of the beats which are called Riddims are made digitally. Dancehall has been the most commercially successful Jamaican music over the years. Many Dancehall artists have experienced cross over success with mainstream music. Artists like Sean Paul, Beenie Man, Shabba Ranks, Super Cat, Vybz Kartel, Bounty Killa, Elephant Man and many more are all examples of dancehall artists with some experiencing worldwide success. In addition, to artists known strictly for dancehall, some Roots artists also record dancehall tracks. Sizzla, Buju Banton and Capelton are roots artists who also appear on dancehall tracks. Dancehall is unique in that it draws on all aspects of Jamaican culture and is often the sound where authentic Jamaican Patois can be heard (to hear some authentic Patois on Dancehall Tracks, check out the JA Mixes). The subject matter in the songs ranges from politics in Jamaica, sex, women, violence, Jamaica or a new dance. Dancehall gets its name from the event or place where people go to hear ragga tracks and as the word implies, people dance! Many of the most popular dancehall tracks have dedicated dances with choreography. Recently, one of the most popular was dances was Pon di River, also a song by Elephant Man. In addition, to Pon di River, there is also a dance for Signal de Plane (click here to see the steps for Signal de Plane!) Dancehall tracks come out at a frenzying pace and some are classics while others leave much to be desired.

Roots reggae is the largely rasta influenced form of reggae. Many roots tracks are recorded with live instruments, although many are also digital. As mentioned before, some of the most well known roots artists who venture into the dancehall world are Sizzla, Buju Banton and Capelton. Other popular artists who focus almost exclusively on roots include Morgan Heritage, Ritchie Spice, Jah Mason, Anthony B, Luciano and many more. One thing to know is that many of these artists are also rastas. Sizzla, Capelton and Anthony are all Bobo Ashanti, a very unique and obscure sect of the Rastafarian faith. Most roots songs address issues such as Rastafari, Ganja, Jah, H.I.M (His Imperial Majesty), Africa, Jamaica and other realities that face the Jamaican people. As far as learning to speak Jamaican, Roots is important for understanding the roots, reality and culture, but is much more likely to have English lyrics. From a cultural perspective, Roots songs often have Nayabinghi sounds and other instruments of the Rastafari faith.

So is one genre better than the other? Absolutely not. I go in and out of phases. Sometimes, I want to listen to roots to relax and other times I want to listen to dancehall to get energized like Elephant Man. Dancehall is great to learn to speak Jamaican and Roots really gives you insight into the culture of Jamaica and Rastafari!

5 Key Phrases and Words of the Day to Help You Speak Jamaican: Part 1

I am excited about people learning to speak Jamaican Patois. The thing about Patois is that it is a fun and fast language. Although, learning words is helpful phrases take the learning process to the next level. So here are the 5 Key Phrases to Help You Speak Jamaican:

1) Wha gwaan my yoot? = What’s going on my friend (buddy)?

2) Mi a go foreign = I am going out of the country (abroad).

3) Mi nuh know = I don’t know.

4) We run tings, tings nuh run we = We are in control or We run things and things do not run us.

5) Mi gwaan chat wid di gyal dem = I am going to talk to the girls.

I hope these “likkle” helpful points allow you to speak Jamaican like a Jamaican!

Soon Come

To learn more about Jamaican Patois and learn how to Speak Jamaican, visit www.jamaican-slang.com

If You Speak Jamaican, Do You Speak a Real Language?

Many people question if they speak Jamaican Patois, are they really speaking a language. The answer is yes – Yea Mon! Wikipedia defines a spoken language as: A spoken language is a human natural language in which the words are uttered through the mouth. I would say that Jamaican Patois definitely meets the requirement of being a language.  So, why do so many people  say that  Jamaican Patois is not a language?

I think it has to do with colonization, legacy and class. From a colonization standpoint, Jamaicans continue to have a very close connection to Great Britain, the island’s major colonizer. Many Jamaicans live in Great Britain and have had a major influence on British culture, but Great Britain and the Queen of England have a lasting legacy as far as Jamaica is concerned. The English language, driving cars with the steering wheel on the right hand side, having a Prime Minister, the importance of a yard and many other things are a legacy of the British. In the past, the person that spoke proper English or the Queen’s English was most likely well educated and from a higher class. As a result, those that spoke Patois were looked down upon because they were not speaking the colonizer’s language. Despite the historically legacy of colonization, I think times have changed and Patois is vital to Jamaica’s culture, history and place in the world.

You see, Jamaican Patois is based on English and Spanish, but it is also based on African languages as well and before I forget there is also the American Arawak influence. Although, it would be unfair to discount the role of the English language, Jamaican Patois is heavily influenced by Spanish and even more by African languages. Let me see if I can shed some light on this.

Think back to your Spanish Classes when you had to learn the Alphabet and how to count in Spanish. Well, that was a good lesson to begin to speak Jamaican because some of the pronunciation is identical. For example, in Spanish when you say the word twenty or Veinte, the pronunciation in many places begins with a B sound as though the word were “Beinte”. The same thing exists in Patois. For example, you might hear the word “vex” pronounced like ” bex”. The other area where you can hear Spanish in Patois is the vowel pronunciation or sounds. Most vowels in Jamaican Patois have a similar or identical pronunciation to Spanish. Just listen to some the way Jamaicans say the word “Apple” and then listen to the way a Spanish speaker says “Apple”. There is a striking similarity between the two languages. From a cultural and geographic standpoint, its clear to see the influence of the Spanish on Jamaica…Spanish Town and Ocho Rios are both major cities on the island and each has its own history and legacy.

Just in case you have not been to Jamaica, its a country largely populated by African descendants. There are tons of mixes on the island, but the large majority of the island’s population can trace some ancestry back to Africa. The African influence can be heard all throughout the language. In many West African languages, the third person plural pronoun is used after the noun and this is the case in Jamaican Patois. For example, if you listen to the famous Beenie Man song “Girls dem Sugar” you hear him always say “Beenie Man a gyal dem suga, di gyal dem need…”. This is a clear case of this Africanism being present in Jamaican Patois, but there are many more. In addition to Patois grammar, Patois vocabulary also contains elements from Africa. For example, Duppy is a ghost in Patois, but the word also exist in the Bantu language of West Africa. Another example of an Africanism would be the phrase “wha mek” which really means why. This is said to originate from modern day Nigeria.

Jamaican Patois is certainly a language and it is vital to the historic and cultural identity of Jamaica. The language explains alot about the culture and history of Jamaica. For the children of Jamaicans living in New York or London, Patois and Reggae music might be one of the few mass forms of communication that can preserve their parent’s heritage.

To learn more about Jamaican Culture and Patois, check out my book: The Rastaman Vibration. Stay turned for more lessons and background on Jamaican Patois and Jamaican Culture. In the mean time, check out www.jamaican-slang.com

Soon Come