Jamaican Slang Editorial Mixtape Review: DJ 100dBs – Ganja Tunes Mix

ganja_tunes_large

Yea, I know mixtapes aren’t really around anymore, but I grew up with the word and always “copping” new mixtapes. Besides, at this point I am not really ready to say digital mix…it took a while just to get comfortable with mix cd, so “gi mi a bligh”!!

I was put on to DJ 100dBs by a friend in New York who always goes to the events sponsored by 100dBs’ bredren, Theory Events (All of the parties are “fyah”, but especially the reggae parties, so if you are in NYC, make your way to Leopard Lounge to hear the young master in action). So, 100dBs made a mixtape dedicated to Ganja and the Ganja holiday, 4-20!

Basically, Ganja Tunes is the perfect mix for anyone that just wants to “cool out” and wants to hear a collection of reggae spanning three decades. Most of the songs are well known to reggae aficionados, but can be appreciated by all.  The songs that most people will recognize are Pass the Kutchie (The Mighty Diamonds) and Legalize It (Peter Tosh), but just about everything on this mixtape is classic. And everything is focused around Ganja (I mean the mix IS Called Ganja Tunes). Here are my 3 favorite tracks:

1) Morgan Heritage – Give We a License

2) John Holt – Police in Helicopter

3) Barrington Levy – Sensimilea

As far as learning Jamaican Slang, this is not really the mixtape that is going to take your Patois to the next level, but it will certainly educate you on just about every word used for weed. Although this mixtape was mixed around the theme of 4-20, you can really listen to it anytime of the year. It’s great to listen to when you are cooling out, having a house party, at the beach with your bredren or taking things to a higher level! By the way, the DJing on this mix is actually good and 100dBs does a great job of focusing on the music and not sound effects. Go download this mix now and check for more from 100dBs! Big up 100dBs, Ashir and the whole Theory Events family!

Click here to download Ganja Tunes.

Tracklist:

Pinchers – Sensimina
Morgan Heritage – Give We A License
Collie Buddz – Come Around
Carl Murphy – Lick I Pipe
Sugar Minott – Herbman Hustling
The Mighty Diamonds – Pass The Kutchie
Barrington Levy – Sensimilea
Barrington Levy – Under Mi Sensi
Peter Tosh – Legalize It
Neville Brown – Babylon Don’t Touch My Sensi
Richie Spice – Marijuana
Top Cat – Love Mi Sess
John Holt – Police In Helicopter
Dice & Cummie – Free The Weed
Michael Palmer – Don’t Smoke The Seed
Eek A Mouse – Ganja Smuggling

Reggae for Valentines Day – Lovers Rock

this-is-lovers-rock

With Valentines Day on Saturday, now is a perfect time to talk about a special type of reggae called Lovers Rock. Lovers Rock is a type of reggae concerned primarily with love and romance, developed from the London reggae scene as an alternative militant and roots records from the late 1970s. Soul records have a strong influence on the Lovers Rock Sound. Many people believe that Lovers Rock is the one place, traditionally, in reggae where women have gained considerable attention and success.  Now, if you are a reggae lover, you have certainly heard Lovers Rock, but even if you are new to reggae you have heard lovers rock. The most recent Lovers Rock success is Sean Paul featuring Sasha ” I’m Still in Love with You”, a remake of the Alton Ellis song.

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Alton Ellis – I’m Still In Love With You

Most Lover Rocks songs have some element of Jamaican Slang, but the real special thing is the sound! Happy Valentines Day and Bless!

Did Bob Marley’s Father Help Make Him the Most Famous Jamaican Artist Ever? : A SpeakJamaican.com Review

Bob Marley Smiling

In the most recent article of The Reggae Source Magazine, Camille Taylor, wrote an article “Is is Looks, the Message or the Music?”. Unfortunately, The Reggae Source does not have a content rich website yet, but it will be coming soon. Anyways, Camille Taylor wrote a great article exploring what made Bob Marley successful – his looks, message or the music. I loved this article because it was something that I have thought about many times and debated with other reggae fanatics. The article raises the question of whether Bob Marley became popular around the world due to his lighter complexion. Although many might not agree, there is a valid argument when you look at Bob’s success compared to that of reggae legends like Peter Tosh or Jacob Miller. Similar to Bob Marley, Jacob Miller died tragically at a young age (27, in a car accident), yet his music is not known around the world like Bob Marley’s. So is appearance really what made Bob Marley a worldwide success?

My conclusion and that of the article, NO! Yes, Bob Marley had more mass appeal than Peter Tosh, but one thing that Bob Marley did exceptionally was convey a message that everyone could relate to. So, no Bob Marley’s white father did not make him a better reggae artist or Jamaican Artist. Yes, his appearance might have helped him meet all of the women who bore his children, but not be a better artist. As the article discusses, Bob Marley focused a considerable amount of his music on the injustices happening in his native Jamaica and other countries he knew about. This connected with alot of people and continues to connect to people. I remember being in Salvador, Bahia-Brazil listening to people who could not speak any English sing Bob Marley songs word for word with as much passion and energy as the next guy. That is a special message attached to special music.

Go to your local reggae/rasta shop and pick up a copy of the latest issue of The Reggae Source to read the fantastic article. Soon Come

Why Jamaica Should Make Bob Marley A National Hero (This is Classic!!!)

I was just on the phone with mi bredren talking about some upcoming projects related to SpeakJamaican.com and the election of Obama when mi bredren talked to me about this article/blog entry. This is great and is perfect timing for thinking about Obama and the fall of Babylon (an upcoming post!!) I wish I could take credit for material like this, but I cannot. Check it out:

It’s been almost 27 years since the death of Bob Marley, yet despite international appeals and a host of post-humous awards, Jamaica still fails to accord him National Hero status.  Even when Bob was a young musician from Trenchtown, his music wasn’t even recognized by his own people in Jamaica until his debut album “Catch A Fire” became an international hit, thanks to Chris Blackwell, who I had the pleasure of meeting last month in Jamaica, and the fact that Rastas were regarded as outcasts in the 60s and 70s.

I’m just getting warmed up!

Marley deserves to be among the fraternity of Jamaica’s honored heroes.  He has done more for Jamaica through his music than most politicians have done to temper violence and businessmen to promote tourism to their war ravaged country.  Even Bob’s song “One Love” was adopted as a theme song for the Jamaican Tourist Board.  It was even voted Anthem of the Millennium by the British Broadcasting Company (BBC). 

Marley’s laundry list of recognitions is even more reason to dub him, not just a National Hero, but an “International Hero.”  At home, his birthday, February 6th, is observed as a national holiday in Jamaica, he has the Order of Merit (OM), which is Jamaica’s third highest honour, was awarded the Medal of Peace from the United Nations and voted Artiste of the Century by Billboard magazine. He was honored with a Grammy Lifetime Achievement Award.

His album Exodus was chosen Album of the Century by TIME magazine and his Legend album received the Diamond Award.  He is also a recipient of the Lifetime Achievement Award by National Academy of Recording Artistes.  Last but not least, Bob has a Star on the Hollywood Walk of Fame and Rock & Roll Hall of Fame.  As Robert Palmer wrote in a tribute to Marley upon his induction, “No one in rock and roll has left a musical legacy that matters more or one that matters in such fundamental ways.”   

From Bob’s perspective, reggae gave a voice to the poor and disfranchised citizens of Jamaica and, by extension, the world. In so doing, he also instilled them with pride and dignity in their heritage, however sorrowful the realities of their daily existence. Moreover, Marley’s reggae anthems provided rhythmic uplift that induced what Marley called “positive vibrations” in all who heard it. Regardless of how you heard it – political music suitable for dancing, or dance music with a potent political subtext – Marley’s music was a powerful potion for troubled times.

To many, Marley was a true musical ambassador and a messenger of peace.  Though he never aligned himself with any political party, he found an urgent calling to bring together a divided nation riped apart by political violence and hostility.  At the Smile Jamaica Concert held on December 5, 1976 at the National Heroes Park, Kingston, Jamaica, Bob Marley & The Wailers performed for 80,000 people and in an unprecedented move, waranted on stage Michael Manley and Edward Siaga where he put their hands together in unity.  Coincidently, this concert was held at the National Heroes Park, so why not add Bob Marley to the roster of National Heroes?

Is it because Bob Marley was a Rasta man who smoked and promoted the use of Marijuana as a religious sacrament?  Fact: Jesus Christ and his apostles used a cannabis-based anointing oil to help cure people with crippling diseases. Exodus 30:23,25

Is it because he wasn’t thrown in prison for civil disobedience or ignite a rebellion?  Fact: Bob Marley was a champion of human rights and spread the message of Rasta fari to the world. The religion is embraced by millions of people from Japan to Johannesburg.

Is it because he was a notorios womanizer?  Fact: So was John F. Kennedy, Bill Clinton and Martin Luther King.  According to a TIME magazines cover story, “womanizing was the source of such agonizing moral conflict that MLK was compelled to confess his most enduring extramarital affair to his wife at “her most vulnerable moment — days after she recovered from a hysterectomy.”

Is it because he didn’t hold political office?  Fact: Neither did Marcus Garvey or Martin Luther King, Jr.

Is it because the national heroes committee is out of touch?  Fact: Yes!

The fact remains for most casual listeners, reggae music can be reduced to one artist Bob Marley.  For most tourists and travelers, Jamaica is synonymous with Bob Marley.  Bob’s music is a like a flag or a text book to those who have never been to Jamaica or read about the country in global studies.

Most importantly, Bob Marley is largely responsible for the worldwide popularity of reggae music and with it subjects, including faith, love, relationships, poverty injustice and other broad social issues that we can all relate to and experienced first hand, or through the eyes of others.  Bob Marley has paved the way for many new and celebrated artists to compete on the international stage of music.  Because of Bob, reggae music is a respected category at the annual Grammy Music Awards in America.

Bob’s music bridges the cross-cultural divide, soothes the heart and mind from mental slavery, can be heard by people of every gender, race, religion, color, ethnic background and political affiliation.

Without the legendary Bob Marley, there wouldn’t be a Reggae Academy Awards Ceremony set to take place on February 24th that recognizes the musical talents and achievements of celebrity reggae artists from Jamaica and around the world, or the Smile Jamaica concert that is guaranteed to pump sun bathers, tourists and the almighty dollar or strong Euro into Jamaica’s inflated economy.

Award Bob Marley the Order of National Hero and continue to make Jamaica proud.

Why Jamaica Should Make Bob Marley A National Hero by Falana Fray

The Top 5 Reggae Artists NOT from Jamaica (And you’d never know)

Nobody can deny that Jamaica is the capital of reggae music and the heart and soul of the reggae movement, but reggae has spread its seed around the world, just like a Rasta! I love reggae and some of my favorite artists of all time and of late are NOT from Jamaica. Here are the Top 5 Reggae Artists NOT from Jamaica.

1) Steele Pulse (England): The guys are legendary and that is why they are #1.If you have checked out Steel Pulse, you must! Check out: Bodyguard, Blue Dance Raid, and Prodigal Son.

2) Alpha Blondy (Senegal): You might know him if you are restricted to just listening to English or JAMAICAN, but this guy is legendary, especially in the French speaking world. The thing is, he can and does sing in Jamaican Patois. Yea!!!

3) Gentleman (Germany): I might catch a bit of push back from people about this selection, but this guy has made some hit tracks on classic riddims. Not only that, he sings in Patois and has out performed Jamaican artists on some riddims. Don’t believe me?? Check out: Intoxication and Dem Gone.

4) Collie Buddz (Bermuda): Hey, the list says, artists that you would never know. When Collie Buddz came out, nuff people thought he was Jamaican. Actually, Collie Buddz was born in the U.S., but he grew up in Jamaica. His tracks have been classics and he actually has a solid album. Check out

5) Maxi Priest (England): Alright, fiyah pon I-man, but yes, Maxi makes the list. Some of his songs are more reggae pop, but the guy has some classic songs. My favorite is Wild World.

There might be some others that you would imagine to make this list, but either they are not famous enough, speak with a very distinct accent or were born in Jamaica and grew up elsewhere. Kymani Marley is definitely one of those cases and his dad is the late great, Bob Marley!

I would love to hear your input and see who you think makes the Top 5.

Jamaican Slang Song of the Week: Sean Paul – No Bligh

Although Sean Paul is known for his recent multi-platinum hits with artists like Jay-Z, Beyonce and Keisha Cole, Sean Paul has been responsible for some the hottest dancehall tracks with rich Jamaican Slang/Patois lyrics. One of the songs that always stands out is, No Bligh. Even the title is in Patois!!! The song was originally released on Sean Paul’s debut album, Stage One and it always gets the crowd moving. So, here are the lyrics for all students of Jamaican Slang/Patois. No audio this time, just to make sure you stay in your seat when studying the song! More Time!

Sean Paul- Nah Get No Bligh
Intro:
And again it’s one more try yuh know
Ten time me cry and ah dry me eye
Yeah
Well yuh dun know ah pressure i’ve run through
Check dis
Dutty Yeah!

Chorus:
Because me nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie
Cau’ me nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie

Verse 1:
Cause girl my world is coming to ah enda
Definitely check for you dis message come fi senda
You meh wha fi wake and see every morning ah
Lickle precious time make Sean a cry man ah singa
But yuh nah gi man no bligh nah no play
Everyday me sit and meditate and ah pray
Yuh left meh heart inna permanent state of dismay
‘Oman ah wha yuh hear de words de Dee Jay say

Chorus:
Cause yuh just nah give no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie
Cause me nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie

Verse 2:
Well everyday me look up to the sky
Ten time me cry ten time me dry eye
We sit dung ah we yard and ah wait pon reply
We nuh stop bawl out cause she nah stop from deny
Dis little girl ah driving man mad
Dipping hottie hottie want ah hardcore slam
She nuh stop black we mind with nuff (?)
Sean a Paul wha dey ah wit ah different program

Chorus:
Cause me just nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie
Cau’ me nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie

Verse 3:
Well ah nuff people walk and tell meh say meh stupid
But dem never yet get lick by cupid
Dem have ah lickle girl wha ah bun like acid
Say deep inna meh heart and it ah move like rapid
Daddygon ah try
Loogaman ah try
Dutty cup ah try
Nah get no bligh
Mossy Kid ah try
Kid Kurrupt ah try
Chicken dem ah cry
Sean a Paul nuh stop try

Chorus:
Me say nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie
Cau’ me nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie

Verse 1:
Well girl my world is coming to ah enda
Definitely check for you dis message come fi senda
You meh wha fi wake and see every morning ah
Lickle precious time make Sean a cry man ah singa
But yuh nah gi man no bligh nar no play
Everyday me sit and meditate and ah pray
Yuh left meh heart inna permanent state of dismay
‘Oman ah wha yuh hear de words de Dee Jay say

Chorus:
Cause meh just nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie
Cau’ meh nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie

Verse 2:
Well everyday me look up to the sky
Ten time me cry ten time me dry eye
We sit dung ah we yard and ah wait pon reply
We nuh stop bawl out cause she nah stop from deny
Well dis little girl ah stop from man mad
Dipping hottie hottie want ah hardcore slam
She nuh stop black we mind with nuff (?)
Seana Paul wha dey ah wit ah different program

Chorus:
Cause me nah get no bligh
Sean Paul ah pressure yuh wit one more try
Fuss inna meh life man I’m feeling fi cry
Taking all meh heart baby dat’s no lie well ah dat’s no lie

6 Basic Steps to Speak Jamaican Patois Like Supermodel Kate Moss

Kate Moss_

Yah Mon, Supermodel Kate Moss is learning to speak Jamaican Patois with Jamaican Slang and all. Kate has been learning patois during her periodic visits to Jamaica. Now, if you have a bankroll as long as Kate Moss, then your best choice might be going to Jamaica to learn patois for a few months, but most of us are not able to do that for that long. The truth is that even Kate could use some basic pointers on learning Jamaican Patois and Jamaican Slang when she is not able to zip to Jamaica. Learning Jamaican Patois is like learning any other language, it is vital to take advantage of your time in the county where the language is spoken, but you also need to continue training when you are back home to retain the knowledge and increase fluency. So is a list of the 6 Basic Steps to Speak Jamaican like Kate Moss and many Jamaicans.

  1. Begin with the Jamaican idioms. The most noticeable aspect of Jamaican patois to a non-speaker is the heavy reliance on idioms. Idioms like “No one cyaan test,” which means no one can compete with a given person, use both the vernacular and the grammar of the patois. Learning a few of the idioms and their meanings will give you a context for advancing with the patois.
  2. Learn the patois’ pronouns. Jamaican uses a system of pronouns that is based on the English pronomial system but differs significantly enough that it needs to be learned. Switch personal pronouns, for example, so “I” becomes “mi” and “me” becomes “I,” and replace possessive pronouns like “mine” with “fi” to start speaking the patois like a Jamaican.
  3. Get the vocabulary. One of the most difficult parts of speaking Jamaican patois is the rich and dynamic vocabulary. Though infused with English, the system of Jamaican words is unique. You should learn Jamaican words and the many different grammatical uses that they have. The word “nuh,” for instance, means a general negative that includes “no,” “don’t” and “doesn’t.”
  4. Get the tenses and aspects. Perhaps the most difficult part of speaking Jamaican patois is learning how to properly conjugate verbs. Jamaican’s system of verb tenses and aspects is completely different from that of English. Most importantly, you should master Jamaican’s version of the English “to be,” which is frequently left out of sentences or is replaced with a copular “a” or “e,” such as “Mi a di speaker,” to mean “I am the speaker.”
  5. Explore inflection and pronunciation. Jamaican patois has a rhythm and lilt that comes from its blend of African roots and Spanish and French Romance languages. You can get a sense of the rhythms of Jamaican by listening to reggae lyrics. The spelling of Jamaican patois—”mon” for “man,” for example—reflects English words softened in pronunciation by Romance accents.
  6. Become familiar with Rasta culture. Many Jamaican terms are drawn from the practice of Rastafarianism, a unique Jamaican syncretic religion that combines themes from the Hebrew Bible with the veneration of Haile Selassie, a former Ethiopian ruler, as a messianic figure. Again, reggae music is a good starting point for tracing the influence of Rasta on Jamaican patois. The Jamaican word for “God,” for example, is “Jah,” drawn from the biblical Hebrew “Yahweh.”

Remember, these are the basic steps to learning Jamaican Patois, but you have to practice, practice, pratice and study, study, study! To learn jamaican patois and slang visit www.jamaican-slang.com. SpeakJamaican.com is the home of the Rastaman Vibration, the definitive source on Jamaican Slang, Patois, Reggae and Rastafari…all essential to catching the Jamaican Vibe. To read the original article where these steps come from click here.

What is This Reggae? Who Came Up with that Silly Word?

Do you ever wonder where certain words come from? Well in Jamaican Slang and Jamaican Patois, I am always asking that question. I mean there are so many words that have a little or unknown origin. Some words of the words that come to mind are pickney or nyam. In fact, someone asked me the origin of the word “bumboclat“…yikes, you can send me an e-mail if you want to know what a bumboclat is as opposed to what it means.

 

I was always interested in knowing where the word reggae came from. After doing some research, I found a variety of answers on the origin of this word we live by and love. The article is more focused on history as opposed to Jamaican Slang, so check it out…yuh dun noh.

 

The origin of the word reggae was the 1968 Pyramid single by Toots and the Maytals “Do the Reggay” (sic). Other possibilities as to the origin of the word include Regga, the name of a Bantu speaking tribe on Lake Tanganyika and a corruption of “streggae,” which is Kingston street slang for prostitute. According to Bob Marley, the word is Spanish in origin, meaning “the king’s music” but according to veteran session musicians the word is a description of the beat itself. Hux Brown of the Skatalites and lead guitarist on Paul Simon’s 1972 hit “Mother and Child Reunion” says that it is “just a fun, joke kinda word that means ragged rhythm and the body feeling.”

 

There you have it, a wide view on the origin of reggae. This is good to know , but really all you need to do is keep listening to reggae. Irie.

Great Reggae Artist & Rasta Sizzla Gives a Special Interview

I was so excited when I came across this unique and special interview with Sizzla, the legendary and prolific rasta and reggae artist. Everything Sizzla touches is special and this is not different. Yes, I know he sometimes has fun and deviates from his core message, but you try to put out 10-15 albums a year about a few subjects…nuff said. This interview ranks up with the best that you can find. Sizzla, a Bobo Dread, breaks down Rastafari and its role in the world. You have to listen to this:

[YouTube:http://www.youtube.com/watch?v=8phWqHgaaS8]

 

Sizzla is legendary and has contributed so much music to the world in the name of Rastafari and Reggae Music. To learn more about Rastafari, Reggae and Jamaica. Check out the Rastaman Vibration!

Soon Come!

Rastas and Yardies Pay Attention – Michael Reid’s List of the Greatest Reggae Artists Ever

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I love reggae music and who doesn’t. Images of peace, beaches, tropical weather, culture, good food and social awareness…everyone can connect with reggae music. Of course, there are thousands of reggae artists around the world, but some just stand out such as Bob Marley, Buju Banton, Sizzla and Peter Tosh. Now, most of these are among my favorites, but others like Michael Reid may have a different opinions and that is fine. Although opinions differ, there are some artists that just MUST be on this list! Let’s look at Michael’s list and see who is a definite and who could be replaced.

While many may not agree with my selection, these reggae artists have certainly contributed to the reggae fraternity in a major way and should get the respect they deserve. The music that these artists produced will never die, as the impact made are so great that we are still touched by their lyrics and sounds.

1. BOB MARLEY

Bob Marley was born Robert Nesta Marley on Feb. 6, 1945 in Saint Ann, Jamaica. His father, Norval Sinclair Marley, was a white Englishman and his mother, Cedelia Booker, was a black Jamaican. Bob Marley died of cancer in Miami, FL on May 11, 1981. Marley had 12 children, four by his wife Rita, and was a devout Rastafarian. Bob Marley’s father died when he was 10 years old, and his mother moved with him to Kingston’s Trenchtown neighborhood after his death. As a young teen, he befriended Bunny Wailer, and they learned to play music together. At 14, Marley dropped out of school to learn the welding trade, and spent his spare time jamming with Bunny Wailer and ska musician Joe Higgs.

2. PETER TOSH

Peter Tosh, born Winston Hubert McIntosh (October 9, 1944 – September 11, 1987) was the guitarist in the original Wailing Wailers, a reggae musician, and a trailblazer for the Rastafari movement. Tosh grew up in the Kingston, Jamaica slum of Trench town. He stood out because of his height at 6 feet, 4 inches. His short-fuse temper and unveiled sarcasm usually kept him in trouble, earning him the nickname Stepping Razor after a song written by Joe Higgs, an early mentor. He began to sing and learn guitar at a young age, inspired by the American stations he could pick up on his radio. After an illustrious career with the Wailers and as a solo musician, he was murdered at his home. Though robbery was officially said to be the motivation behind Tosh’s death, many believe that there were ulterior motives to the killing, citing that nothing was taken from the house.

3. DENNIS BROWN

Dennis Brown was born Feb 01, 1957 in Kingston, Jamaica. One of Jamaica’s most beloved and prolific artists, the late Dennis Brown has left behind a slew of classic songs and myriad hits, a rich musical legacy born of a career that spanned over 30 years. Born Dennis Emmanuel Brown in Kingston, Jamaica, in 1957, his childhood home virtually destined him to a future in the music industry. He grew up on Orange Street, the heart of the island’s music scene, with most of the major recording studios a mere stone’s throw away. As the stars and future hitmakers paraded by day and music pumped out of the studios, the child could not help but be entranced.

4. JIMMY CLIFF

Jimmy Cliff OM (born James Chambers, 1 April 1948, Somerton District in St. James, Jamaica) is a Jamaican SKA and reggae musician, best known among mainstream audiences for songs like “Sittin’ in Limbo”, “You Can Get It If You Really Want It”, “Many Rivers to Cross” from The Harder They Come, a film soundtrack which helped popularize reggae across the world, and for a cover of “I Can See Clearly Now” from the film “Cool Runnings.”

5. Sizzla

Sizzla was born Miguel Collins on April 17, 1976, and was raised in the August Town area of Kingston by devout Rastafarian parents. After honing his vocal skills, he landed a gig with the Caveman Hi-Fi sound system, where he first made a name for himself as a performer. He cut his first single for the small Zagalou label in 1995, and soon moved on to Bobby “Digital” Dixon’s Digital B imprint. However, he didn’t manage a breakout success until saxophonist Dean Fraser recommended him to producer Philip “Fatis” Burrell. Sizzla released a series of singles on Burrell’s Xterminator label, including “Judgement Morning,” “Life’s Road,” “Blaspheme,” “We Uh Fear,” “I’m Not Sure,” and the Shadowman duet “The Gun.” His first LP, Burning Up, appeared on Xterminator later in 1995, and he toured extensively alongside Luciano and Mikey General. Unlike kindred spirits Capleton and Buju Banton, Sizzla’s early material was culturally oriented right from the start; he was able to build an audience without any of the lyrical slackness that helped establish the other two.

6. MARCIA GRIFFITHS

Jamaica’s longest-running and perhaps biggest female vocalist ever. Griffiths began as a teenager in Coxsone’s Studio One, racking up hit after hit, then joined with paramour Bob Andy as Bob & Marcia for the Top Five U.K. pop hit “Young, Gifted and Black.” She formed The I Threes to back Bob Marley’s international tours and recordings from 1974-1980 and scored a massive international hit with “Electric Boogie” in the ’80s. Despite a few ’70s Rasta tunes like “Stepping out of Babylon,” she is known primarily for her strong, smooth-as-mousse love songs and captivating live performances.

7. YELLOWMAN

Yellowman is the stage name of Winston Foster, one of the biggest Jamaican reggae stars of the 1980s. Foster, an albino, grew up in Kingston institutions and overcame a rough childhood to become a swaggering DJ with a penchant for witty and sexually explicit lyrics and a stage show that made him a local star. He began recording in the early ’80s and for the next several years released records at a furious pace, outselling every other reggae star except Bob Marley. In 1986 Yellowman was diagnosed with throat cancer and given a dire prognosis, but he bounced back and resumed his career in the ’90s. His songs include “Mad Over Me,” “Mister Chin” and “Blueberry Hill.”

8. U-ROY

Known as the Originator, U-Roy wasn’t the first DJ, nor even the first to cut a record, but he was the first to shake the nation and he originated a style so distinctly unique that he single-handedly changed his homeland’s music scene forever. Born Ewart Beckford in Jones Town, Jamaica, in 1942, he received his famous moniker from a young family member unable to correctly pronounce Ewart and the nickname stuck.

9. MUTABARUKA

His poems have given voice to a nation and helped forge an entirely new genre of music, dub/rhythm poetry. Revolutionary, fiery, scathing, and stinging, Mutabaruka’s words are as potent on paper as on CD, and so the literary community needed to create a new term just for his works — meta-dub. Born in Rae Town, Jamaica, on December 12, 1952, Allan Hope first realized the power of the word when he was in his teens. It was the ’60s; the Black Power movement was at its height, and numerous radical leaders were putting their thoughts and histories in print.

10. GARNETT SILK

Born Garnet Damion Smith in Greenvale, Hatfield in the parish of Manchester, Jamaica, he was known for his emotive, powerful and silky voice. During the 1980s he was widely hailed as a rising talent, but his career was ended by his early death in 1994 while attempting to save his mother while his house was on fire, while others suspect that it was a conspiracy which involved his two younger brothers, Lij Amlak(Paul Cassanova) & Omar Silk(Omar Scott) which were upcoming artists at the time. He and his mother were found in each other’s arms when their bodies were discovered. His debut album was “It’s Growing” and his first major hit was “Hello Africa”.

Okay, so after looking at the list I certainly agree that all of the artists here are classic artists, but my list would be a “likkle” different. This is not something that I can rush, but I will say that some people on this list are definitely on my list and others are definitely not on my list. Bob Marley, Sizzla and Yellowman are definitely on my list. As for those not on the list…stay tuned.

More time!

To learn more about Reggae, Rasta and Jamaican Language check out The Rastaman Vibration – The Definitive Source on Jamaican Culture, Jamaican Language (Patois), and Rasta!