My Mother is Better Than Yours!!! (A Jamaican Slang Comparison of 3 Reggae Songs Dedicated to Mamas!!)

Posted by | Posted in Artists, Music and Selectas | Posted on 25-03-2009

Everyone’s mother holds a special place in this world and it might not be even really a comparison, but we are going to do it. Over the past few years, a handful of classic reggae tracks have come out that are dedicated to all the mothers out there.  Each one is great in its own special way, but I always think…who really made the best and most classic song! So here are the contenders:  Sizzla Kolanji, Gyptian and Vybz Kartel.

Each one of the songs has a video associated with it because without a doubt, each artist put their heart into the song, but who made the best song???? Watch the videos and then see what we think!

Sizzla - Thank You Mama

http://myspacetv.com/index.cfm?fuseaction=vids.individual&videoid=5760489

Gyptian - Mama

http://myspacetv.com/index.cfm?fuseaction=vids.individual&videoid=3867413

Vybz Kartel - Mamma

http://myspacetv.com/index.cfm?fuseaction=vids.individual&videoid=52789253

Okay, so hopefully you listened to each one of these special tracks, now let’s break this down to get to a #1!

Riddim/Beat Selection:

1) Sizzla (One to One Riddim)

2) Gyptian (Triumphant Riddim)

3) Vybz Kartel (Story Tella Riddim)

    This might be the hardest part of the competition because every riddim used is great, but the credit goes to the producers. Basically, everyone who made a song on the One to One Riddim and Triumphant Riddims made classic. Don’t get me wrong, Story Tella is great too, but it is hard to top One to One or Triumphant.

    Emotion:

    1) Gyptian

    2) Sizzla

    3) Vybz Kartel

      Gyptain wins in this category by a few steps because it just seems so authentic and divine when singing this song. And for Vybz Kartel to make a track dedicated to his Mamma when at the same time he has alot of tracks dedicated to punnani damages the credibility. It might be a ploy to clean up his image of constant slackness.

      Lyrics:

      1) Sizzla

      2) Vybz

      3) Gyptian

        “Work so hard to see us go to school, blista on ya finga so dey won’t take us fi fool”. I think Sizzla just did an amazing job with this song.  Vybz didn’t do a bad job either  and neither did Gyptian, but as far as lyrical content, Sizzla is the man in this competition.

        Jamaican Slang Factor:

        1) Vybz Kartel

        2) Sizzla

        3) Gyptian

          The results of this category were destined to lean in favor of Vybz. Vybz Kartel is a dancehall artist while Sizzla might moonlight as a dancehall artist, he is also a roots artist and Gyptian is certainly a roots artist. Since dancehall is the breeding ground of Jamaican Slang, Vybz has this category on lock.

          So who is the winner? Sizzla, but really the listener is the winner. All of these tracks are great and although each one represents something different for each artist in their career, all are worth having in your collection.

          More Time!

          Everyone On This Riddim Killed It!!! (Dem Gone Riddim)

          Posted by | Posted in Music and Selectas | Posted on 10-03-2009

          YouTube Preview Image

          I think the header/title of this post says it all. Every now and then, there are some riddims that reggae artists get to record over and EVERY track is classic. Without a doubt, the Dem Gone Riddim is one of those. Every song on the riddim is special even though the beat is about the same. The riddim was so good that it went beyond reggae when Akon decided to record Mama Africa over the riddim for his 2007 album, Konvicted.

          If you haven’t heard these songs before, you are in for a treat. If you have heard them…think back to the first time you heard them. I was on a bus in the Caribbean when I first heard the songs. Sizzla (this is some of Sizzla’s best work to date) was first and then Gentleman (the song that put Gentleman on the map). A moment I will never forget, the perfect soundtrack to the Caribbean! I am sure you will enjoy these songs as much as I do.

          Akon - Mama Africa

          Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

          Gentleman - Dem Gone

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          Great Reggae Artist & Rasta Sizzla Gives a Special Interview

          Posted by | Posted in Culture, Music and Selectas, Rastafari | Posted on 20-08-2008

          I was so excited when I came across this unique and special interview with Sizzla, the legendary and prolific rasta and reggae artist. Everything Sizzla touches is special and this is not different. Yes, I know he sometimes has fun and deviates from his core message, but you try to put out 10-15 albums a year about a few subjects…nuff said. This interview ranks up with the best that you can find. Sizzla, a Bobo Dread, breaks down Rastafari and its role in the world. You have to listen to this:

          [YouTube:http://www.youtube.com/watch?v=8phWqHgaaS8]

           

          Sizzla is legendary and has contributed so much music to the world in the name of Rastafari and Reggae Music. To learn more about Rastafari, Reggae and Jamaica. Check out the Rastaman Vibration!

          Soon Come!

          Rastas and Yardies Pay Attention - Michael Reid’s List of the Greatest Reggae Artists Ever

          Posted by | Posted in Music and Selectas | Posted on 17-08-2008

          bobmarley.jpg

          I love reggae music and who doesn’t. Images of peace, beaches, tropical weather, culture, good food and social awareness…everyone can connect with reggae music. Of course, there are thousands of reggae artists around the world, but some just stand out such as Bob Marley, Buju Banton, Sizzla and Peter Tosh. Now, most of these are among my favorites, but others like Michael Reid may have a different opinions and that is fine. Although opinions differ, there are some artists that just MUST be on this list! Let’s look at Michael’s list and see who is a definite and who could be replaced.

          While many may not agree with my selection, these reggae artists have certainly contributed to the reggae fraternity in a major way and should get the respect they deserve. The music that these artists produced will never die, as the impact made are so great that we are still touched by their lyrics and sounds.

          1. BOB MARLEY

          Bob Marley was born Robert Nesta Marley on Feb. 6, 1945 in Saint Ann, Jamaica. His father, Norval Sinclair Marley, was a white Englishman and his mother, Cedelia Booker, was a black Jamaican. Bob Marley died of cancer in Miami, FL on May 11, 1981. Marley had 12 children, four by his wife Rita, and was a devout Rastafarian. Bob Marley’s father died when he was 10 years old, and his mother moved with him to Kingston’s Trenchtown neighborhood after his death. As a young teen, he befriended Bunny Wailer, and they learned to play music together. At 14, Marley dropped out of school to learn the welding trade, and spent his spare time jamming with Bunny Wailer and ska musician Joe Higgs.

          2. PETER TOSH

          Peter Tosh, born Winston Hubert McIntosh (October 9, 1944 - September 11, 1987) was the guitarist in the original Wailing Wailers, a reggae musician, and a trailblazer for the Rastafari movement. Tosh grew up in the Kingston, Jamaica slum of Trench town. He stood out because of his height at 6 feet, 4 inches. His short-fuse temper and unveiled sarcasm usually kept him in trouble, earning him the nickname Stepping Razor after a song written by Joe Higgs, an early mentor. He began to sing and learn guitar at a young age, inspired by the American stations he could pick up on his radio. After an illustrious career with the Wailers and as a solo musician, he was murdered at his home. Though robbery was officially said to be the motivation behind Tosh’s death, many believe that there were ulterior motives to the killing, citing that nothing was taken from the house.

          3. DENNIS BROWN

          Dennis Brown was born Feb 01, 1957 in Kingston, Jamaica. One of Jamaica’s most beloved and prolific artists, the late Dennis Brown has left behind a slew of classic songs and myriad hits, a rich musical legacy born of a career that spanned over 30 years. Born Dennis Emmanuel Brown in Kingston, Jamaica, in 1957, his childhood home virtually destined him to a future in the music industry. He grew up on Orange Street, the heart of the island’s music scene, with most of the major recording studios a mere stone’s throw away. As the stars and future hitmakers paraded by day and music pumped out of the studios, the child could not help but be entranced.

          4. JIMMY CLIFF

          Jimmy Cliff OM (born James Chambers, 1 April 1948, Somerton District in St. James, Jamaica) is a Jamaican SKA and reggae musician, best known among mainstream audiences for songs like “Sittin’ in Limbo”, “You Can Get It If You Really Want It”, “Many Rivers to Cross” from The Harder They Come, a film soundtrack which helped popularize reggae across the world, and for a cover of “I Can See Clearly Now” from the film “Cool Runnings.”

          5. Sizzla

          Sizzla was born Miguel Collins on April 17, 1976, and was raised in the August Town area of Kingston by devout Rastafarian parents. After honing his vocal skills, he landed a gig with the Caveman Hi-Fi sound system, where he first made a name for himself as a performer. He cut his first single for the small Zagalou label in 1995, and soon moved on to Bobby “Digital” Dixon’s Digital B imprint. However, he didn’t manage a breakout success until saxophonist Dean Fraser recommended him to producer Philip “Fatis” Burrell. Sizzla released a series of singles on Burrell’s Xterminator label, including “Judgement Morning,” “Life’s Road,” “Blaspheme,” “We Uh Fear,” “I’m Not Sure,” and the Shadowman duet “The Gun.” His first LP, Burning Up, appeared on Xterminator later in 1995, and he toured extensively alongside Luciano and Mikey General. Unlike kindred spirits Capleton and Buju Banton, Sizzla’s early material was culturally oriented right from the start; he was able to build an audience without any of the lyrical slackness that helped establish the other two.

          6. MARCIA GRIFFITHS

          Jamaica’s longest-running and perhaps biggest female vocalist ever. Griffiths began as a teenager in Coxsone’s Studio One, racking up hit after hit, then joined with paramour Bob Andy as Bob & Marcia for the Top Five U.K. pop hit “Young, Gifted and Black.” She formed The I Threes to back Bob Marley’s international tours and recordings from 1974-1980 and scored a massive international hit with “Electric Boogie” in the ’80s. Despite a few ’70s Rasta tunes like “Stepping out of Babylon,” she is known primarily for her strong, smooth-as-mousse love songs and captivating live performances.

          7. YELLOWMAN

          Yellowman is the stage name of Winston Foster, one of the biggest Jamaican reggae stars of the 1980s. Foster, an albino, grew up in Kingston institutions and overcame a rough childhood to become a swaggering DJ with a penchant for witty and sexually explicit lyrics and a stage show that made him a local star. He began recording in the early ’80s and for the next several years released records at a furious pace, outselling every other reggae star except Bob Marley. In 1986 Yellowman was diagnosed with throat cancer and given a dire prognosis, but he bounced back and resumed his career in the ’90s. His songs include “Mad Over Me,” “Mister Chin” and “Blueberry Hill.”

          8. U-ROY

          Known as the Originator, U-Roy wasn’t the first DJ, nor even the first to cut a record, but he was the first to shake the nation and he originated a style so distinctly unique that he single-handedly changed his homeland’s music scene forever. Born Ewart Beckford in Jones Town, Jamaica, in 1942, he received his famous moniker from a young family member unable to correctly pronounce Ewart and the nickname stuck.

          9. MUTABARUKA

          His poems have given voice to a nation and helped forge an entirely new genre of music, dub/rhythm poetry. Revolutionary, fiery, scathing, and stinging, Mutabaruka’s words are as potent on paper as on CD, and so the literary community needed to create a new term just for his works — meta-dub. Born in Rae Town, Jamaica, on December 12, 1952, Allan Hope first realized the power of the word when he was in his teens. It was the ’60s; the Black Power movement was at its height, and numerous radical leaders were putting their thoughts and histories in print.

          10. GARNETT SILK

          Born Garnet Damion Smith in Greenvale, Hatfield in the parish of Manchester, Jamaica, he was known for his emotive, powerful and silky voice. During the 1980s he was widely hailed as a rising talent, but his career was ended by his early death in 1994 while attempting to save his mother while his house was on fire, while others suspect that it was a conspiracy which involved his two younger brothers, Lij Amlak(Paul Cassanova) & Omar Silk(Omar Scott) which were upcoming artists at the time. He and his mother were found in each other’s arms when their bodies were discovered. His debut album was “It’s Growing” and his first major hit was “Hello Africa”.

          Okay, so after looking at the list I certainly agree that all of the artists here are classic artists, but my list would be a “likkle” different. This is not something that I can rush, but I will say that some people on this list are definitely on my list and others are definitely not on my list. Bob Marley, Sizzla and Yellowman are definitely on my list. As for those not on the list…stay tuned.

          More time!

          To learn more about Reggae, Rasta and Jamaican Language check out The Rastaman Vibration - The Definitive Source on Jamaican Culture, Jamaican Language (Patois), and Rasta! 

          What is a Classic Reggae Album?

          Posted by | Posted in Music and Selectas, Rastafari | Posted on 16-07-2008

          The question is rhetorical for me and could be for anyone that speaks Jamaican. Have you ever heard an album and it just touches you in a way that you cannot describe? Well, I have and it is a true classic as far as reggae is concerned and really music. No need to hold back, the album is called Da Real Things and the artist/deejay is Sizzla Kolanji! Before, I breakdown why this album is a true classic in all ways, shapes and forms, it’s important to know who is Sizzla Kolanji.

          Sizzla, born Miguel Orlando Collins, is the most prolific deejay (Deejays are the artists or singers in reggae while selectas are the disc jockeys) of recent years. It is rare that you will hear a riddim that is not blessed with his presence. Sizzla, a Bobo Dread, started to get recognition in the late 90s for his unique style and conscious lyrics. Always a versatile deejay, Sizzla can be heard on roots tracks as well as dancehall (ragga) tracks. Presently, Sizzla has more than 45 solo albums and it would be a lie to say that all are classic, but several are classics such as Black Woman and Child, Praise Ye Jah and Royal Son of Ethiopia. Some of the albums have very similar sounds and one would have to question the detail each album is given before being pressed. For many of the albums, debate and discussion is warranted, but for Da Real Things…there is NO DEBATE!

          Da Real Things is the best of the best from sizzla, reggae and all genres of music. It is one of those albums that you can put on play and not need to skip through any song. The album has an overall roots theme and it really gets to the core of who Sizzla is…a talented deejay that is a rastafarian and loves women especially his Mama. Speaking of Mama, Thank You Mama is arguably the best song on the album, if not the best. The lyrics paint real imagery and touch the heart of any mother. Have doubts? Play this song for your mother and watch the tears come down the side of her face. But, the hits do not stop there. Solid as Rock is just one of those songs that can be applied to any adversity you face in life. I was living in the Caribbean when I first heard this song. The bus that I was on was packed and there were several rastas on the bus. Everyone was smiling with a face of amazement. The riddim of this song seems like it was made especially for Sizzla even though other artists recorded tracks to it, none were as good as Sizzla. Another song that stands out is Woman I Need You. This song is the essence of Sizzla. He changes his voice multiple times in the song to compliment the melody and really pours his heart into the song. This a positive, upbeat tribute to women done in a masterful manner.

          I tried to write about a few of the songs without spoiling the album. This album holds special meaning in my life because I remember where I was and what I was doing when I first heard it and then subsequently heard it 100 times after that…yea, I might be a fan. I had always been a fan of Sizzla Kolanji, but this put him up there with the elite in reggae music. Get this album, listen to it, learn to speak Jamaican and get into the vibes of this classic album. This is the definition of classic.

          Praises to the Most High and Thank you Sizzla for your masterful sound/music,

          Ras Zuke

          Ragga (Dancehall Reggae) versus Roots

          Posted by | Posted in Random "Ting" | Posted on 01-07-2008

          I know that alot of people think that all reggae sounds the same, but nothing could be further from the truth. Yes, there are definitely some similarities among all of the types of reggae, but there are really two dominant forms of reggae that come out of Jamaica, Ragga aka Dancehall Reggae and Roots Reggae. So what are the differences?

          To begin with, Ragga which I will refer to as Dancehall is largely played with digital instruments. Most of the beats which are called Riddims are made digitally. Dancehall has been the most commercially successful Jamaican music over the years. Many Dancehall artists have experienced cross over success with mainstream music. Artists like Sean Paul, Beenie Man, Shabba Ranks, Super Cat, Vybz Kartel, Bounty Killa, Elephant Man and many more are all examples of dancehall artists with some experiencing worldwide success. In addition, to artists known strictly for dancehall, some Roots artists also record dancehall tracks. Sizzla, Buju Banton and Capelton are roots artists who also appear on dancehall tracks. Dancehall is unique in that it draws on all aspects of Jamaican culture and is often the sound where authentic Jamaican Patois can be heard (to hear some authentic Patois on Dancehall Tracks, check out the JA Mixes). The subject matter in the songs ranges from politics in Jamaica, sex, women, violence, Jamaica or a new dance. Dancehall gets its name from the event or place where people go to hear ragga tracks and as the word implies, people dance! Many of the most popular dancehall tracks have dedicated dances with choreography. Recently, one of the most popular was dances was Pon di River, also a song by Elephant Man. In addition, to Pon di River, there is also a dance for Signal de Plane (click here to see the steps for Signal de Plane!) Dancehall tracks come out at a frenzying pace and some are classics while others leave much to be desired.

          Roots reggae is the largely rasta influenced form of reggae. Many roots tracks are recorded with live instruments, although many are also digital. As mentioned before, some of the most well known roots artists who venture into the dancehall world are Sizzla, Buju Banton and Capelton. Other popular artists who focus almost exclusively on roots include Morgan Heritage, Ritchie Spice, Jah Mason, Anthony B, Luciano and many more. One thing to know is that many of these artists are also rastas. Sizzla, Capelton and Anthony are all Bobo Ashanti, a very unique and obscure sect of the Rastafarian faith. Most roots songs address issues such as Rastafari, Ganja, Jah, H.I.M (His Imperial Majesty), Africa, Jamaica and other realities that face the Jamaican people. As far as learning to speak Jamaican, Roots is important for understanding the roots, reality and culture, but is much more likely to have English lyrics. From a cultural perspective, Roots songs often have Nayabinghi sounds and other instruments of the Rastafari faith.

          So is one genre better than the other? Absolutely not. I go in and out of phases. Sometimes, I want to listen to roots to relax and other times I want to listen to dancehall to get energized like Elephant Man. Dancehall is great to learn to speak Jamaican and Roots really gives you insight into the culture of Jamaica and Rastafari!